LILA·SUTRAलीला सूत्र
Siddharth Varshney
A WRITER, BY OTHER MEANSSiddharth VarshneyWRITER · OF STORIES, SYSTEMS, AND INSTRUCTIONS◉ NEAR FILM CITY, MUMBAI

I have written for five years without always calling it that: scenes in Maya and Unity, worlds in Unreal, and now instructions to machines that paint and speak. The medium keeps changing; the sentence underneath does not. I take an idea from its first line to a running system, and I stay until the two agree. Lila.Sutra is where the writing finally turns inward, to worlds of my own.

◈ OPEN THE COMMONPLACE BOOK →
NO TEACHER · NO CURRICULUM · ONLY THE PAGEI am a college dropout. Everything past my MAGES diploma, the 3D, the XR, the generative AI, I taught myself from documentation, papers, and a great many nights of trial and error. Reading and writing, in the end; that is all learning ever was.The formal record stops in 2020. Everything since is self-written: built, broken, revised, and shipped to real clients.
THE KEEPER, IN HIS OWN HAND

I wanted to be many things: a writer, an astronaut, a scientist. The writer stayed. Most of what I write now is code, or instructions to machines that write beside me; underneath, it is the same sentence I began as a child, not yet finished. A comic once showed me a universe being uncovered in real time. My heartbeat has been listening for that feeling ever since.

THE ROAD

I moved often. Foundations did not travel well; the work did.

There was a lean year that took me down roads I do not recommend. I climbed out. It left me one lesson: people help you once they see you can help yourself. I stopped waiting, and built accordingly.

I used to hold on to things. Now I hold on to what I make. Everything else is fleeting, and I let it be.

WHY ALONE

I work alone because I am quiet by nature, because I moved too often to keep a crew, and because trust is a slow currency. The cost is honest: time, and patience. I had both.

WHAT THE HANDS KNOW

Nothing here was learned in order. Each craft arrived because a problem demanded it and would not leave. The record is below.

WHAT I AM OPEN TO

Roles, collaborations, commissions, conversations. Growth is a solo process; it rarely happens in isolation. Know this before you write to me: I am eccentric and honest, and I keep the truth on my sleeve. Do not mistake it for ego.

“All power is within you. You can do anything and everything. Believe in that.”

Swami Vivekananda
MARGINALIA
  • On the desk: a laptop and its peripherals, the AC remote, bananas.
  • Elsewhere: worlds other people built (Skyrim, Night City), and stories that might stir the heartbeat.
  • Writer first or builder first, five years from now? I do not know. I keep both hands.
  • What keeps me up: I want it beautiful, bug free, and functional. Tech is rarely stable, and I am one person. The beauty keeps me awake. So do the bugs.
  • My father texted me once: "Challenges never end. Such is the life of a resilient man." I am keeping the text.

Every knot I have ever untied taught me the same thing. So will the next one.

NOW · OCT 2024 → PRESENT
For two years now, I have written mostly to machines.

I lead R&D for agentic, multimodal systems: text, image, video, audio, 3D. My working day is composed of instructions; prompts, personas, architectures, and the unglamorous clauses that make them hold in production. It is writing in the oldest sense: say precisely what must happen, and mean it.

MaazaA campaign drawn by machines at scale, the brand star's face kept true in every frame; moving pictures included.
Multi-GPUFace-preserveVideo
FevikwikKwikGPT, a written character: an agent that speaks as the brand, in the brand's own voice.
AgentsLLM
VadilalBrand characters given steady voices: cloned speech that stays in character, and the dialogue it delivers.
Voice cloneDialogue
De BeersA jewelry house's look, taught to the machine; pieces placed into scenes, images enlarged and extended, delivered inside their learning platform.
LoRAProductLMS
Milka × PokoraSongs written to order: custom lyrics, a cloned singing voice, mastered and matched to moving lips.
Music AILipsync
Yippie Better WorldChildren turned into superheroes with their own faces kept true; safety checks throughout, poses adjusted, watchful agents reading every image.
AvatarsSafetyVision
WORK DELIVERED FOR CLIENTS AT ADSMN · MORE UNDERWAY
PythonDockerComfyUIDiffusionLoRAAgentic frameworksCloud GPUsMLOpsVoice cloningVision agents
THE INSTRUMENTS
Every instrument, learned mid-sentence.
THE ARCHIVE · 2020 → 2024
The earlier drafts of me.
AjnaLens · DimensionNXGSOFTWARE DEVELOPERNOV 2022 - OCT 2024

Two years turning flat things into things with depth: words, pictures, and film into 3D. I taught myself the new image machines as they arrived, drew the storyboards, and checked the headset software all the way to its launch stage in Las Vegas.

AjnaKriti · AjnaSwastik · AjnaAvatar · AjnaVidya · Creator Program 2.0
E3 Tech SystemsXR DEVELOPERJUN - NOV 2022

Walk-through models of real buildings for phones, and safe practice rooms in VR for pharmaceutical crews, wired to live sensors.

Atal Incubation Center · Manipal University JaipurEXECUTIVE OF TECHNOLOGYDEC 2021 - JUN 2022

I ran a university XR lab: taught the teachers, wrote the course, gave the demonstrations, and helped young startups find their feet.

PupilFirstVR CONSULTANT · INTERNSHIPOCT 2020 - DEC 2021

My first VR post: a Sanskrit world on the Quest headset, where lips moved with the language. I built its rooms and helped write the courses that taught others.

THE CRAFT SHELVES, OPEN ON DRIVE
EDUCATION
MAGES Institute of Excellence, Singapore - Certificate in Immersive XR (2020) & Diploma in 3D Animation (2019–20)
IIIT-Delhi - B.Tech, ECE (Degree Under Creditization, NEP)
ACCOLADES
National rank - Table Tennis (Pondicherry, 2015)
National rank - Skiing (Auli, 2013)
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